An Evening in Roma

Dean Martin



Patrizio Buanne


Como e' bella ce' la luna brille e' strette
strette como e' tutta bella a passeggiare
Sotto il cielo di Roma

Down each avenue or via, street or strata
You can see 'em disappearing two by two
On an evening in Roma
Do they take 'em for espresso
Yeah, I guess so
On each lover's arm a girl I wish I knew
On an evning in Roma

Though there's grining and mandolining in sunny Italy
The beginning has just begun when the sun goes down
So please meet me in the plaza near your casa
I am only one and one is much too few
On an evening in Roma

Don't know what the country's coming to
But in Rome do as the Romans do
Will you on an evening in Roma

Como e' bella ce' la luna brille e' strette
strette como e' tutta bella a passeggiare
Sotto il cielo di Roma
Don't know what the country's coming to
But in Rome do as the Romans do
Will you on an evening in Roma
Sott'er celo de Roma
On an evening in Roma

Dean Martin
(June 7, 1917 – December 25, 1995) was an Italian-American singer, film actor and comedian. Martin's hit singles included "Memories Are Made of This", "That's Amore", "Everybody Loves Somebody", "Mambo Italiano", "Sway", "Volare" and "Ain't That A Kick In The Head?". One of the leaders of the "Rat Pack", he was a major star in four areas of show business: concert stage/night clubs, recordings, motion pictures, and television who was nicknamed the "King of Cool",[1][2]

Born Dino Paul Crocetti in Steubenville, Ohio to Italian immigrant parents, Gaetano and Angela Crocetti (née Barra), his father was an immigrant from Abruzzo, Italy and his mother was an Italian of part Neapolitan and part Sicilian ancestry. Martin was the younger of two sons. He had one brother, Bill. Martin spoke only Italian until he started school at the age of five. He attended Grant Elementary School in Steubenville, Ohio and took up the drums as a hobby as a teenager. He was the target of much ridicule for his broken English and ultimately dropped out from Steubenville High School in the 10th grade because he thought that he was smarter than his teachers. He delivered bootleg liquor, served as a speakeasy croupier, wrote crafty anecdotes, was a blackjack dealer, worked in a steel mill and boxed as welterweight. He grew up a neighbor to Jimmy the Greek. At the age of 15, he was a boxer who billed himself as "Kid Crochet". His prizefighting years earned him a broken nose (later fixed), a permanently split lip, and many sets of broken knuckles (a result of not being able to afford the tape used to wrap boxers' hands). He won 11 of his 12 bouts.[3] For a time, he roomed with Sonny King, who, like Martin, was just starting in show business and had little money. It is said that Martin and King held bare-knuckle matches in their apartment, fighting until one of them was knocked out; people paid to watch. Eventually, Martin gave up boxing. He worked as a roulette stickman and croupier in an illegal casino behind a tobacco shop where he had started as a stock boy. At the same time, he sang with local bands. Calling himself "Dino Martini" (after the then-famous Metropolitan Opera tenor, Nino Martini), he got his first break working for the Ernie McKay Orchestra. He sang in a crooning style influenced by Harry Mills (of the Mills Brothers), among others. In the early 1940s, he started singing for bandleader Sammy Watkins, who suggested he change his name to Dean Martin.
In October 1941, Martin married Elizabeth Anne McDonald. During their marriage (ended by divorce in 1949), they had four children. Martin worked for various bands throughout the early 1940s, mostly on looks and personality until he developed his own singing style. Martin famously flopped at the Riobamba when he succeeded Frank Sinatra in 1943, but it was the setting for his introduction.
Martin repeatedly sold 10 percent shares of his earnings for up front cash. He apparently did this so often that he found he had sold over 100 percent of his income. Such was his charm that most of his lenders forgave his debts and remained friends.
Drafted into the United States Army in 1944 during World War II, Martin served a year stationed in Akron, Ohio. He was then reclassified as 4-F (possibly due to a double hernia; Jerry Lewis referred to the surgery Martin needed for this in his autobiography) and was discharged.
By 1946, Martin was doing relatively well, but was still little more than an East Coast nightclub singer with a common style, similar to that of Bing Crosby. He drew audiences to the clubs he played, but he inspired none of the fanatic popularity enjoyed by Sinatra.
[edit]Mafia connections

A biography on Martin entitled Dean Martin: King of the Road by Michael Freedland alleged he had links to the Mafia early in his career. According to this book, Martin was given help with his singing career by the Chicago Outfit who owned saloons in the city, and later performed in shows hosted by these bosses when he was a star. The mob bosses were Tony Accardo and Sam Giancana. Freedland suggests Martin felt little sympathy for the Mafia and only did them small favors if it was not inconvenient for him. Reportedly, the FBI's bugs once picked up a mafioso making plans to injure or even kill Martin because of a perceived lack of gratitude. Another book, The Animal in Hollywood by John L. Smith, depicted Dean Martin's longtime friendship with Mafia mobsters Johnny Roselli and Anthony Fiato. Smith suggests Anthony Fiato (a/k/a "the Animal") did Dean Martin many favors, such as getting back money from two swindlers who had cheated Betty Martin, Dean's ex-wife, out of thousands of dollars of her alimony.
[edit]Teaming with Jerry Lewis

Main article: Martin and Lewis
Martin attracted the attention of Metro-Goldwyn-Mayer and Columbia Pictures, but a Hollywood contract was not forthcoming. He seemed destined to remain on the nightclub circuit until he met a comic named Jerry Lewis at the Glass Hat Club in New York, where both men were performing. Martin and Lewis formed a fast friendship which led to their participation in each other's acts and the ultimate formation of a music-comedy team. More than a few people dubbed them "The Organ Grinder and the Monkey".

Martin and Lewis' official debut together occurred at Atlantic City's 500 Club on July 24, 1946, and they were not well received. The owner, Skinny D'Amato, warned them that if they did not come up with a better act for their second show later that night, they would be fired. Huddling together in the alley behind the club, Lewis and Martin agreed to "go for broke", to throw out the pre-scripted gags and to improvise. Dean sang and Jerry came out dressed as a busboy, dropping plates and making a shambles of both Martin's performance and the club's sense of decorum until Lewis was chased from the room as Martin pelted him with breadrolls. They did slapstick, reeled off old vaudeville jokes, and did whatever else popped into their heads at the moment. This time, the audience doubled over in laughter. This success led to a series of well-paying engagements on the Eastern seaboard, culminating in a triumphant run at New York's Copacabana. Patrons were convulsed by the act, which consisted primarily of Lewis interrupting and heckling Martin while he was trying to sing, and ultimately the two of them chasing each other around the stage and having as much fun as possible. The secret, both said, is that they essentially ignored the audience and played to one another.
A radio series commenced in 1949, the same year Martin and Lewis were signed by Paramount producer Hal B. Wallis as comedy relief for the movie My Friend Irma.

Martin liked California which, because of its earth tremors, had few tall buildings. Suffering as he did from claustrophobia, Martin almost never used elevators, and climbing stairs in Manhattan's skyscrapers was not his idea of fun.
Their agent, Abby Greshler, negotiated for them one of Hollywood's best deals: although they received only a modest $75,000 between them for their films with Wallis, Martin and Lewis were free to do one outside film a year, which they would co-produce through their own York Productions. They also had complete control of their club, record, radio and television appearances, and it was through these endeavors that they earned millions of dollars.

Martin and Lewis were the hottest act in America during the early 1950s, but the pace and the pressure took its toll. Most critics underestimated Dean's contribution to the team, as he had the thankless job of the straight man, and his singing had yet to develop into the unique style of his later years. Critics praised Lewis, and while they admitted that Martin was the best partner he could have, most claimed Lewis was the real talent and could succeed with anyone. However, Lewis always praised his partner, and while he appreciated the attention he was getting, he has always said the act would never have worked without Dean Martin. In Dean & Me, he calls Martin one of the great comic geniuses of all time. But the harsh comments from the critics, as well as frustration with the formulaic similarity of Martin & Lewis movies, which producer Hal Wallis stubbornly refused to change, led to Martin's dissatisfaction. He put less enthusiasm into the work, leading to escalating arguments with Lewis. They finally could not work together, especially after Martin told his partner he was "nothing to me but a dollar sign". The act broke up in 1956, 10 years to the day from the first official teaming.

Splitting up their partnership was not easy. It took months for lawyers to work out the details of terminating many of their club bookings, their television contracts, and the dissolution of York Productions. There was intense public pressure for them to stay together.

Lewis had no trouble maintaining his film popularity alone, but Martin, unfairly regarded by much of the public and the motion picture industry as something of a spare tire, found the going hard. His first solo film, Ten Thousand Bedrooms (1957), was a box office failure. He was still popular as a singer, but with rock and roll surging to the fore, the era of the pop crooner was waning. It looked like Martin's fate was to be limited to nightclubs and to be remembered as Jerry Lewis's former partner.
The CBS film, Martin and Lewis, a made-for-TV movie about the famous comedy duo, starred Jeremy Northam as Martin, and Sean Hayes as Lewis. It depicted the years from 1946-1956.
[edit]Solo career

Never totally comfortable in films, Martin wanted to be known as a real actor. Though offered a fraction of his former salary to co-star in a war drama, The Young Lions (1957), he agreed so he could learn from Marlon Brando and Montgomery Clift. Tony Randall already had the part, but talent agency MCA realized that with this movie, Martin would become a triple threat: they could make money from his work in night clubs, movies, and records. Martin replaced Randall and the film turned out to be the beginning of Martin's spectacular comeback. Success would continue as Martin starred alongside Frank Sinatra for the first time in a highly acclaimed Vincente Minnelli drama, Some Came Running (1958). By the mid '60s, Martin was a top movie, recording, and nightclub star, while Lewis' film career declined. Martin was acclaimed for his performance as Dude in Rio Bravo (1959), directed by Howard Hawks and also starring John Wayne and singer Ricky Nelson. He teamed up again with Wayne in The Sons of Katie Elder (1965), somewhat unconvincingly cast as brothers.
In 1960, Dean Martin was cast in the motion picture version of the Judy Holliday hit stage play Bells Are Ringing. Martin played a satiric variation of his own womanizing persona as Vegas singer "Dino" in Billy Wilder's comedy Kiss Me, Stupid (1964) with Kim Novak, and he was not above poking fun at his image in films such as the Matt Helm spy spoofs of the 1960s, in which he was a co-producer.
As a singer, Martin copied the styles of Harry Mills (of the Mills Brothers), Bing Crosby, and Perry Como until he developed his own and could hold his own in duets with Sinatra and Crosby. Like Sinatra, he could not read music, but he recorded more than 100 albums and 600 songs. His signature tune, "Everybody Loves Somebody", knocked The Beatles' "A Hard Day's Night" out of the number-one spot in the United States in 1964. This was followed by the similarly-styled "The Door is Still Open to My Heart", which reached number six later that year. Elvis Presley was said to have been influenced by Martin, and patterned "Love Me Tender" after his style. Martin, like Elvis, was influenced by country music. By 1965, some of Martin's albums, such as Dean "Tex" Martin, The Hit Sound Of Dean Martin, Welcome To My World and Gentle On My Mind were composed of country and western songs made famous by artists like Johnny Cash, Merle Haggard, and Buck Owens. Martin hosted country performers on his TV show and was named "Man Of the Year" by the Country Music Association in 1966. "Ain't That a Kick in the Head," a song Martin performed in Ocean's Eleven that never became a hit at the time, has enjoyed a spectacular revival in the media and pop culture (which can be traced to its usage in 1993's A Bronx Tale).
For three decades, Martin was among the most popular acts in Las Vegas. Martin sang and was one of the smoothest comics in the business, benefiting from the decade of raucous comedy with Lewis. Martin's daughter, Gail, also sang in Vegas and on his TV show, co-hosting his summer replacement series on NBC. Though often thought of as a ladies' man, Martin spent a lot of time with his family; as second wife Jeanne put it, prior to the couple's divorce, "He was home every night for dinner."
[edit]The Rat Pack

Main article: Rat Pack
As Martin's solo career grew, he and Frank Sinatra became close friends. In the late 1950s and early 1960s, Martin and Sinatra, along with friends Joey Bishop, Peter Lawford, and Sammy Davis, Jr. formed the legendary Rat Pack, so called by the public after an earlier group of social friends, the Holmby Hills Rat Pack centered on Humphrey Bogart and Lauren Bacall, of which Sinatra had been a member.

The Martin-Sinatra-Davis-Lawford-Bishop group referred to themselves as "The Summit" or "The Clan" and never as "The Rat Pack", although this has remained their identity in the popular imagination. The men made films together, formed an important part of the Hollywood social scene in those years, and were politically influential (through Lawford's marriage to Patricia Kennedy, sister of President John F. Kennedy).

The Rat Pack were legendary for their Las Vegas performances, which were almost never preannounced. For example, the marquee at the Sands Hotel might read DEAN MARTIN---MAYBE FRANK---MAYBE SAMMY. Las Vegas rooms were at a premium when the Rat Pack would appear, with many visitors sleeping in hotel lobbies or cars to get a chance to see the three men together. Their act (always in tuxedo) consisted of each singing individual numbers, duets and trios, along with much seemingly improvised slapstick and chatter. In the socially-charged 1960s, their jokes revolved around adult themes, such as Sinatra's infamous womanizing and Martin's legendary drinking, as well as many at the expense of Davis's race and religion. Davis famously practiced Judaism and used Yiddish phrases onstage, eliciting much merriment from both his stage-mates and his audiences.[citation needed] It was all good-natured male bonding, never vicious, rarely foul-mouthed,[citation needed] and the three had great respect for each other. The Rat Pack was largely responsible for the integration of Las Vegas. Sinatra and Martin steadfastly refused to appear anywhere that barred Davis, forcing the casinos to open their doors to African-American entertainers and patrons, and to drop restrictive covenants against Jews.[citation needed]
Posthumously, the Rat Pack has experienced a popular revival, inspiring the George Clooney/Brad Pitt "Ocean's" trilogy. An HBO film, "The Rat Pack," starred Joe Mantegna as Martin, Ray Liotta as Sinatra and Don Cheadle as Davis. It depicted their contribution to JFK's election in 1960.