Kanada wo Vitthalu - Sant Gnyaneshwar

Dnyāneshwar or Jñāneshwar (1275–1296) (Marathi: ज्ञानेश्वर), also known as Jñanadeva (Marathi: ज्ञानदेव),He was born into a Deshastha Brahmin Kulkarni family and was a 13th century Maharashtran saint (Sant - a title by which he is often referred), poet, philosopher and yogi of the Nath tradition whose works Bhavartha deepika teeka (a commentary on Bhagavad Gita, popularly known as "Dnyaneshwari"), and Amrutanubhav are considered to be milestones in Marathi literature.The Varkaris soon considered him their teacher and spiritual leader, who initiated his contemporaries associated with the Dvaita (dualism) school of the bhakti movement into Advaita (non-dualism)

Varkari (Marathi: वारकरी - meaning "a pilgrim") is a Vaishnava religious movement (sampraday) within the bhakti spiritual tradition of Hinduism, geographically associated with the Indian states of Maharashtra and northern Karnataka.The Varkari tradition affected the life of the common people of Maharashtra for six hundred years (from 13th century to 18th century). Varkaris looked upon God as the Ultimate Truth and ascertained grades of values in social life but accepted ultimate equality among men. Varkaris prostrated in front of each other because "everybody is Brahma" and stressed individual sacrifice, forgiveness, simplicity, overcoming passions, peaceful co-existence, compassion, non-violence, love and humility in social life.
Notable VarkarisL:
Dnyaneshwar
Muktabai
Namdev
Sena Nhavi
Chokhamela
Tukaram
Eknath
Narahari Sonar
Sawata Mali
Kanhopatra

Bolava Vitthal Pahava Vitthal - Sant Tukaram

Ranjani Gayathri


Pandit Jitendra Abhisheki


Pandit Jitendra Abhisheki (Devanagari: पंडित जितेंद्र अभिषेकी; 21 September 1929 – 7 November 1998) was an Indian vocalist, composer and scholar of classical, semi-classical, and devotional music. While he distinguished himself in Hindustani music, he was singlehandedly responsible for the revival of the Marathi musical theatre in the 1960s with his beautiful compositions.His family was traditionally attached to the Mangeshi Shrine of Lord Shiva in Goa. His father, Balawantrao aka Bikambhat, was a nephew and a disciple of Master Deenanath Mangeshkar, and the temple priest and a Kirtankar. Balawantrao taught Jitendra the basic principles of Hindustani classical music.Abhisheki then went to Mumbai and sought advanced training in vocal music from Pandit Jagannathbua Purohit and Ustad Azmat Hussain Khan of Agra Gharana, and Gulubhai Jasdanwala of Jaipur Gharana.


Tukaram was born in 1608, in the small village of Dehu in the West Indian state of Maharashtra to Bolhoba and Kanakai. Tukaram's problems mounted with the death of his family members and economic hardship seemed to plague him.Tukaram was married twice, his first wife Rakhumabai died due to starvation during a famine, his second wife Jijabai or Avali as she was called, was much younger than his first and had little patience with his devotion and for God and she nagged him continuously.Tukaram continuously sang the praises of the Lord, he sang it in the form of abhangs which he wrote. These were in his mother tongue Marathi. The abhangs express his feelings and philosophical outlook. During his 41 years, Tukaram composed over 5000 abhangs.

Majhe Maher Pandhari - Pandit Bhimsen Joshi

Eknath (1533-1599) was a prominent Marathi religious poet in the Hindu tradition in India. He was born and lived most of his life in Paithan in Maharashtra, India. Eknath's family name is almost unknown. In accord with a tradition in India of assigning the epithet "sant" (संत) to persons regarded as thoroughly saintly, Eknath is commonly known in Maharashtra as Sant Eknath (संत एकनाथ)At age 25, he married Girijabai, and the couple had three children.Eknath was well-versed in Sanskrit, Arabic, Persian, Urdu and Hindi languages besides Marathi.Eknath initiated in Maharashtra a movement called Wasudewa Sanstha. It involves house-to-house visitations by individuals known as Wasudewa, who, standing in front of people's houses, spread religious messages through bhajan chants (भजने).

Pandit Bhimsen Gururaj Joshi (Kannada: ಪಂಡಿತ ಭೀಮಸೇನ ಗುರುರಾಜ ಜೋಷಿ, born February 4, 1922) is an Indian vocalist in the Hindustani classical tradition. A member of the Kirana Gharana (school), he is renowned for the khayal form of singing, as well as for his popular renditions of devotional music (bhajans and abhangs). He is the most recent recipient of the Bharat Ratna, India's highest civilian honour, awarded in 2008.Until the first half of the 20th century, Khyal was principally taught in the Guru Shishya (master-disciple) tradition. Bhimsen's guru Sawai Gandharva was the chief disciple of Abdul Karim Khan, who along with his cousin Abdul Waheed Khan was the founder of the Kirana Gharana school of Hindustani music.Another renowned vocalist from the Kirana Gharana, Gangubai Hangal, was a co-student of Bhimsen during this time. Joshi continued his training with Sawai Gandharva till 1940

Jani Jay Paniyasi - Kishori Amonkar

Jana or Jani as she called herself, Janabai as she is known more formally,
was a 13th century Marathi Bhakti (devotional) poet. An orphan of the lowest caste, she went into domestic service with a family of tailors, while still very young. But this was no ordinary family, their son whom Jana helped raise, grew up to be the extraordinarily gifted poet-saint Namdev (1270?-1350?). Jana accepted him as her spiritual mentor and later became a bhakti poet herself, even though like many of her fellow bhakti poets, she never learnt to read or write. Namdev spent much of his life wandering the country as a mendicant-minstrel, but the spiritual bond between the two remained strong. According to legend, Janabai and Namdev died at exactly the same instant, so determined was she to not survive him by even a split second.

Kishori AmonkarN -(Marathi: किशोरी अमोणकर) (born 1932) is an Indian singer who performs in the classical genre Khayal and the light classical genres Thumri and Bhajan. Amonkar trained under her mother, classical singer Mogubai Kurdikar of the Jaipur gharana (musical tradition of Jaipur), but experimented with a variety of vocal styles in her career. She is considered one of the preeminent representatives of Hindustani classical music.